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Margaret Qualley

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In Coralie Fargeat's new feminist horror movie The Substance, damaging popular appeal specifications are actually the true beasts. They (women objectification, the disposal of "the old," the expansion of a sector built on body adjustment) feed a beast of a pattern that leads Demi Moore's fading television individuality character https://griffinkzpd47136.wikiconverse.com/5023770/the_substance_2024

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